Showing
1 - 25 of 48 Records
Finial Phoenix
- Title Translation: 凤凰
- Period: Sui, 581-618 C.E.
- Project: Tianlongshan Caves
- Work Description: The finely carved piece is part of a phoenix that once stood on top of a column beside the entrance of Cave 8.
Flying Divinity
- Title Translation: 飞天
- Period: unknown, unknown
- Project: Tianlongshan Caves
- Work Description: The divinity is carved in unusually high relief and is not known to be from any existing Tianlongshan cave.
Guardian Head
- Title Translation: 天王、护法力士头
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: The head is from a figure dressed in military garb, formerly standing inside Cave 16 on the east side of the entrance.
Dragon Finial
- Title Translation: 龙顶
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The head of a dragon is a finial from the top of a column in Cave 2.
Flying Divinity
- Title Translation: 飞天
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: This heavenly musician from Cave16 plays the sheng, a wind instrument consisting of a cluster of bamboo pipes joined at the bottom.
Bodhisattva Relief
- Title Translation: 菩萨浮雕
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The bodhisattva Manjusri was located on the east wall of Cave 2 near the front of the cave, opposite a relief figure of Vimalakirti.
Guardian Head
- Title Translation: 天王、护法力士头
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: The guardian head is from an unknown location.
Devotee Relief
- Title Translation: 信徒浮雕
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: A single donor/worshiper dressed in a robe with wide sleeves walks holding a large lotus flower bud on a curving stem.
Flying Divinity
- Title Translation: 飞天
- Period: unknown, unknown
- Project: Tianlongshan Caves
- Work Description: The rather high relief carving of a heavenly musician playing a lute is not known to be from any existing Tianlongshan cave.
Musician
- Title Translation: 乐伎
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: This is the upper part of a musician playing the panpipes that was seated at the base of the Buddha niche on the east wall of Cave 16.
Bodhisattva Relief
- Title Translation: 菩萨浮雕
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The bodhisattva seated in contemplation under a tree represents the awakening of the youthful Prince Sakyamuni's awareness of the suffering of life.
Flying Divinity
- Title Translation: 飞天
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The flying divinity or apsaras is one of four such figures carved in relief around a a large central lotus blossom on the ceiling of Cave 2.
Bodhisattva Relief
- Title Translation: 菩萨浮雕
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The figure stands in a pose of reverence to the sculpted Buddha and bodhisattvas in the niche on the west wall of Cave 3.
Flying Divinity
- Title Translation: 飞天
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The flying divinity hovering above clouds is one of four such figures carved in relief on the ceiling of Cave 3.
Finial Birds
- Title Translation: 瑞鸟
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: These birds came from the north wall of Cave 16 where they flanked the main group of Buddhist figures in the niche.
Finial Bird
- Title Translation: 瑞鸟
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: The bird once stood at the top of a column on the north wall of Cave 16 looking back toward the Buddha image.
Vimalakirti Relief
- Title Translation: 维摩诘浮雕
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The wise layman Vimalakirti sits holding a fan and originally faced the bodhisattva Manjusri, on the opposite wall of Cave 3.
Flying Divinity
- Title Translation: 飞天
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: As in many cases, the relief carving was broken into fragments when removed from Cave 2 and shows signs of repairs.
Flying Divinity
- Title Translation: 飞天
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The flying divinity or apsaras holds an alms bowl over its head.
Flying Divinity
- Title Translation: 飞天
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The figure in flight among clouds holds an alms bowl up behind it.
Guardian Head
- Title Translation: 天王、护法力士头
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: This is the original head of the muscular guardian figure in the Nelson-Atkins Museum of Art that once stood in the porch of Cave 17.
Guardian Head
- Title Translation: 天王、护法力士头
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: The fierce expression of this head from the entrance to Cave 17 identifies it as a protector of Buddhism.
Devotee Relief
- Title Translation: 信徒浮雕
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: Relief carvings of Buddhist worshipers appeared on the lower level of the walls of Caves 2 and 3.
Guardian Head
- Title Translation: 天王、护法力士头
- Period: Sui, 581-618 C.E.
- Project: Tianlongshan Caves
- Work Description: This head is from a guardian figure in the porch of Cave 8.
Disciple Relief
- Title Translation: 弟子浮雕
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The youthful disciple appears to have a pinch of incense in his right hand to place in the censer of the elderly disciple on the opposite wall of Cave 3.