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Northern Xiangtangshan, Middle Cave, archway
- Title Translation: 北响堂山中洞 , 拱道
- Period: Northern Qi, Ming, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: The Middle Cave, the second largest of the caves in scale, still has its impressive entrance and large stone porch largely preserved. In recent times, a wooden porch-like structure was added to the front of the cave. Above the eaves of the porch and carved into the stone mountainside, there is a domed roof with a fenced harmika or platform at the top. The single-story stupa with domed roof is a distinctive feature of the design of the Xiangtangshan caves and appears on the walls of the North Cave and on many smaller stone carvings of the middle and late sixth century. Tall armored guardian figures stand under the stone eaves of the porch, and large lions support the columns flanking the door. Walking into the cave, visitors pass under the gaze of two tall bodhisattvas who face the entrance. The Middle Cave, like the great North Cave, has a large central pillar. However, it has only a single large niche deeply cut into the front of the pillar to form an altar on which a Buddha sits on a lotus throne accompanied by two tall standing disciple figures and two bodhisattvas. The base of the central pillar has relief figures of Spirit Kings, lions, and incense burners, much like the North Cave. The cave walls were originally left largely plain, but devotees of the Ming dynasty (1368-1644) added a row of seated Buddhas contained in shallow niches that encircle cave's interior.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Northern Xiangtangshan, Middle Cave, interior
- Title Translation: 北响堂山中洞 , 内景
- Period: Northern Qi, Ming, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: The Middle Cave, the second largest of the caves in scale, still has its impressive entrance and large stone porch largely preserved. In recent times, a wooden porch-like structure was added to the front of the cave. Above the eaves of the porch and carved into the stone mountainside, there is a domed roof with a fenced harmika or platform at the top. The single-story stupa with domed roof is a distinctive feature of the design of the Xiangtangshan caves and appears on the walls of the North Cave and on many smaller stone carvings of the middle and late sixth century. Tall armored guardian figures stand under the stone eaves of the porch, and large lions support the columns flanking the door. Walking into the cave, visitors pass under the gaze of two tall bodhisattvas who face the entrance. The Middle Cave, like the great North Cave, has a large central pillar. However, it has only a single large niche deeply cut into the front of the pillar to form an altar on which a Buddha sits on a lotus throne accompanied by two tall standing disciple figures and two bodhisattvas. The base of the central pillar has relief figures of Spirit Kings, lions, and incense burners, much like the North Cave. The cave walls were originally left largely plain, but devotees of the Ming dynasty (1368-1644) added a row of seated Buddhas contained in shallow niches that encircle cave's interior.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Northern Xiangtangshan, Middle Cave, archway
- Title Translation: 北响堂山中洞 , 拱道
- Period: Northern Qi, Ming, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: The Middle Cave, the second largest of the caves in scale, still has its impressive entrance and large stone porch largely preserved. In recent times, a wooden porch-like structure was added to the front of the cave. Above the eaves of the porch and carved into the stone mountainside, there is a domed roof with a fenced harmika or platform at the top. The single-story stupa with domed roof is a distinctive feature of the design of the Xiangtangshan caves and appears on the walls of the North Cave and on many smaller stone carvings of the middle and late sixth century. Tall armored guardian figures stand under the stone eaves of the porch, and large lions support the columns flanking the door. Walking into the cave, visitors pass under the gaze of two tall bodhisattvas who face the entrance. The Middle Cave, like the great North Cave, has a large central pillar. However, it has only a single large niche deeply cut into the front of the pillar to form an altar on which a Buddha sits on a lotus throne accompanied by two tall standing disciple figures and two bodhisattvas. The base of the central pillar has relief figures of Spirit Kings, lions, and incense burners, much like the North Cave. The cave walls were originally left largely plain, but devotees of the Ming dynasty (1368-1644) added a row of seated Buddhas contained in shallow niches that encircle cave's interior.
Northern Xiangtangshan, Middle Cave, archway
- Title Translation: 北响堂山中洞 , 拱道
- Period: Northern Qi, Ming, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: The Middle Cave, the second largest of the caves in scale, still has its impressive entrance and large stone porch largely preserved. In recent times, a wooden porch-like structure was added to the front of the cave. Above the eaves of the porch and carved into the stone mountainside, there is a domed roof with a fenced harmika or platform at the top. The single-story stupa with domed roof is a distinctive feature of the design of the Xiangtangshan caves and appears on the walls of the North Cave and on many smaller stone carvings of the middle and late sixth century. Tall armored guardian figures stand under the stone eaves of the porch, and large lions support the columns flanking the door. Walking into the cave, visitors pass under the gaze of two tall bodhisattvas who face the entrance. The Middle Cave, like the great North Cave, has a large central pillar. However, it has only a single large niche deeply cut into the front of the pillar to form an altar on which a Buddha sits on a lotus throne accompanied by two tall standing disciple figures and two bodhisattvas. The base of the central pillar has relief figures of Spirit Kings, lions, and incense burners, much like the North Cave. The cave walls were originally left largely plain, but devotees of the Ming dynasty (1368-1644) added a row of seated Buddhas contained in shallow niches that encircle cave's interior.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Northern Xiangtangshan, Middle Cave, archway
- Title Translation: 北响堂山中洞 , 拱道
- Period: Northern Qi, Ming, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: The Middle Cave, the second largest of the caves in scale, still has its impressive entrance and large stone porch largely preserved. In recent times, a wooden porch-like structure was added to the front of the cave. Above the eaves of the porch and carved into the stone mountainside, there is a domed roof with a fenced harmika or platform at the top. The single-story stupa with domed roof is a distinctive feature of the design of the Xiangtangshan caves and appears on the walls of the North Cave and on many smaller stone carvings of the middle and late sixth century. Tall armored guardian figures stand under the stone eaves of the porch, and large lions support the columns flanking the door. Walking into the cave, visitors pass under the gaze of two tall bodhisattvas who face the entrance. The Middle Cave, like the great North Cave, has a large central pillar. However, it has only a single large niche deeply cut into the front of the pillar to form an altar on which a Buddha sits on a lotus throne accompanied by two tall standing disciple figures and two bodhisattvas. The base of the central pillar has relief figures of Spirit Kings, lions, and incense burners, much like the North Cave. The cave walls were originally left largely plain, but devotees of the Ming dynasty (1368-1644) added a row of seated Buddhas contained in shallow niches that encircle cave's interior.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.
Southern Xiangtangshan, Cave 7, archway
- Title Translation: 南响堂山第7窟 , 拱道
- Period: Northern Qi, 550-577 C.E.
- Project: Xiangtangshan Caves
- Work Description: Cave 7 is the best preserved of the caves at the Southern Xiangtangshan site, with the exterior displaying architectural features based on wood post and lintel architecture rendered in stone. The porch in front has a stone eave and tiled roof supported on columns and brackets. At the top is a domed roof. Two muscular lishi-type guardian figures stand in the porch on either side of the entrance to the cave. The principal sculpted figures inside the cave, five in each of the three niches, are still largely in place, though most are missing their heads. The seated Buddhas, standing bodhisattvas, and disciples were carved in one piece with the cave walls and thrones (with the exception of one of the Buddhas), and thus were not easily removed. Carvings on the front of the altars include incense burners, lions and nature spirits known as Spirit Kings, as seen at Northern Xiangtangshan. In addition many rows of small “thousand Buddhas” appear on the walls behind the main images and from the front wall around the entrance. On the ceiling, heavenly musicians encircle a central lotus blossom carved in relief.