Showing  1 - 9 of 9 Records

Showing  1 - 9 of 9 Records
Disciple Head
  • Title Translation: 弟子头
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head of an elderly disciple was originally in from Cave 8.

Disciple Head
  • Title Translation: 弟子头
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The shaven head of a youthful disciple is from the north wall of Cave 8.

Disciple Relief
  • Title Translation: 弟子浮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The youthful disciple appears to have a pinch of incense in his right hand to place in the censer of the elderly disciple on the opposite wall of Cave 3.

Disciple Relief
  • Title Translation: 弟子浮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The elderly disciple Kasyapa, together with the youthful Ananda, represent the Buddha's initial monastic followers.

Disciple Relief
  • Title Translation: 弟子浮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Two figures of disciples, one youthful and one elderly, frequently appear together as attendants of the Buddha.

Disciple Relief
  • Title Translation: 弟子浮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The elderly disciple Kasyapa holds an incense burner in his hands.

Disciple Head
  • Title Translation: 弟子头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head of a youthful disciple is believed to be from Cave 16.

Disciple Head
  • Title Translation: 弟子头
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head of a disciple is believed to be from a niche in the central pillar of Cave 8.

Disciple Relief
  • Title Translation: 弟子浮雕
  • Period: unknown, unknown
  • Project: Tianlongshan Caves
  • Work Description: The relief figure, though called a monk, has a Buddha's head. It may be a composite assemblage of fragments with restorations.