Showing  201 - 225 of 252 Records

Showing  201 - 225 of 252 Records
Flying Divinity
  • Title Translation: 飞天
  • Period: unknown, unknown
  • Project: Tianlongshan Caves
  • Work Description: The flying divinity is attributed to Tianlongshan, but it is not known to be from any existing cave at the site.

Lion Torso
  • Title Translation: 狮身
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The lion is believed to be the mount of the bodhisattva Manjusri formerly in Cave 20.

Flying Divinity
  • Title Translation: 飞天
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The fluttering scarves and clouds surrounding the figure give it a sense of flight and movement.

Flying Divinity
  • Title Translation: 飞天
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The heavenly figure in flight looking backward is from the ceiling of Cave 3.

Disciple Relief
  • Title Translation: 弟子浮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The elderly disciple Kasyapa, together with the youthful Ananda, represent the Buddha's initial monastic followers.

Flying Divinity
  • Title Translation: 飞天
  • Period: unknown, unknown
  • Project: Tianlongshan Caves
  • Work Description: The flying divinity playing a drum is not known to be from any existing Tianlongshan cave.

Disciple Relief
  • Title Translation: 弟子浮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Two figures of disciples, one youthful and one elderly, frequently appear together as attendants of the Buddha.

Disciple Relief
  • Title Translation: 弟子浮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The elderly disciple Kasyapa holds an incense burner in his hands.

Devotee Relief
  • Title Translation: 信徒浮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The devotees hold an incense burner and long-stemmed lotus buds as offerings.

Bodhisattva Torso
  • Title Translation: 菩萨身
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The torso appears to be from a standing bodhisattva on the east wall of Cave 6.

Guardian Head
  • Title Translation: 天王、护法力士头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from one of the military-looking guardian figures on the west side of the porch outside of Cave 16.

Bodhisattva Standing
  • Title Translation: 立菩萨
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The figure is likely to be from one of the smaller caves at Tianlongshan where it stood as an attendant to the Buddha with hands held together in reverence.

Guardian Standing
  • Title Translation: 天王、护法力士立像
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The figure is from the south wall west side of Cave 10. Its head is not original.

Buddha Head
  • Title Translation: 佛头
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This Buddha head appears to be one of the earliest sculptures at Tianlongshan and can be assigned to Cave 3.

Disciple Head
  • Title Translation: 弟子头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head of a youthful disciple is believed to be from Cave 16.

Buddha Head
  • Title Translation: 佛头
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The cave from which this head originated has not been identified.

Buddha Hand
  • Title Translation: 佛手
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The large hand, now missing the upper joints of the fingers, may have originated from a Buddha image in Cave 16.

Bodhisattva Head
  • Title Translation: 菩萨头
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head of the bodhisattva is missing its topknot. Other heads from Cave 18 have had the topknot restored.

Disciple Head
  • Title Translation: 弟子头
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head of a disciple is believed to be from a niche in the central pillar of Cave 8.

Bodhisattva Head
  • Title Translation: 菩萨头
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head has been attributed to Cave 18.

Bodhisattva Head
  • Title Translation: 菩萨头
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Bodhisattva head likely to be from Buddha niche on east wall of Cave 16.

Monster Kneeling
  • Title Translation: 跪鬼神
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Musician Sheng
  • Title Translation: 菩萨头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: This magnificent sculpture comes from an important complex of mountainside Buddhist shrines hewn from the living rock at Xiangtangshan in Hebei province. It originally belonged to a full-length statue of a bodhisattva (an enlightened being who has postponed nirvana in order to help achieve salvation for others); the vase in the center of the crown may identify the figure as Mahāsthāmaprāpta, one of the Eight Great Bodhisattvas of Mahayana Buddhism. The principal grottoes at Xiangtangshan were carved during the short-lived Northern Qi dynasty (550-77), which ruled much of northern China prior to the reunification of the country in 589 under the Sui (589-618).

Guardian King
  • Title Translation: 天王、护法力士
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Buddha Head
  • Title Translation: 佛头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: According to Buddhist tradition, when the young prince Sakyamuni resolved to seek spiritual enlightenment, he discarded his courtly garments and cut off his long hair. In Indian and East Asian sculpture, the tonsured Buddha is occasionally shown as bald, but more often he is portrayed as seen here, with a head of tiny, snail-shaped curls. This head of a Buddha was originally part of an impressive sculptural diorama of life-size figures carved into the living rock at Xiangtangshan (Mountain of Echoing Halls), a site not far from the Northern Qi capital of Ye. More than ten caves were excavated at Xiangtangshan during the third quarter of the sixth century, under the patronage of the Northern Qi ruling family and nobles.