Showing  76 - 100 of 152 Records

Showing  76 - 100 of 152 Records
Disciple Head
  • Title Translation: 弟子头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Buddha Head
  • Title Translation: 佛头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Bodhisattva Head
  • Title Translation: 菩萨头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: Head of the Bodhisattva Mahasthamaprapta (Dashizhi)

Monster Kneeling
  • Title Translation: 跪鬼神
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Bodhisattva Standing
  • Title Translation: 菩萨立像
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

River Spirit King
  • Title Translation: 河灵王
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Seated Atlante
  • Title Translation: 坐男像柱
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Musician Panpipes
  • Title Translation: 排箫乐伎
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Buddha Head
  • Title Translation: 佛头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: Stone head of Buddha. Stone with traces of pigment. The long earlobes of the Buddha are a reminder of the heavy earrings that he wore before renouncing material things to seek enlightenment. His rounded cheeks are meant to resemble those of a lion, an animal that is praised for its power and associated with Sakyamuni, the historical Buddha. The ushnisha, or cranial protuberance which may have originally been based on a topknot or turban, is considered a mark of wisdom. The urna, or marking on the forehead, is an all seeing eye. Finally the wavy hair of the Buddha suggests Greco Roman influence a departure from the conventional curls typical of Chinese sculptures at the time.

Bodhisattva Head
  • Title Translation: 菩萨头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: Stone head of a bodhisattva made of light colored stone with traces of red and light green pigment. This head would have originally been part of a colossal statue. The urna, represented by a round socket, would have originally contained some kind of precious stone or crystal sphere. The hair is smooth and parted in the middle. The crown has three peaks with a fillet around the base of the ushnisha. C353 and C354 are a pair from the North Cave of Northern Xiangtangshan.

Apsaras Head
  • Title Translation: 飞天头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Buddha Head
  • Title Translation: 佛头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: Traces of pigment accentuate the eyebrows, eyes and mouth of this huge head. The hairstyle is typical of the historical Buddha Sakyamuni, with tight curls and the prominent usnisa or topknot. The mark on the forehead, expressing wisdom and openness, originally incorporated an impressive jewel. Once part of a monumental figure in a cave complex, the head would have looked down from high. Its symmetrical composition and serene expression would have inspired Buddhist followers standing below.

Bodhisattva Head
  • Title Translation: 菩萨头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: This head once belonged to a towering bodhisattva who presided over the entrance to the Central Cave at Northern Xiangtangshan. This site, which consists of only three cave temples with colossal figural sculptures, was once strategically located on the route between the capital at Ye and Jinyang, in Shanxi province. At the beginning of the Northern Qi period, it may have been a place for meditation or other Buddhist activities.

Buddha Head
  • Title Translation: 佛头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves

Southern Xiangtangshan, sculpture fragments
  • Title Translation: 南响堂山洞穴群 , 雕塑碎片
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: The two main groups of caves are known as Northern and Southern Xiangtangshan. The Northern Group, Bei Xiangtang, is the earliest and largest in scale and has three caves begun with imperial sponsorship; the Southern Group, Nan Xiangtang, has smaller caves numbered from one to seven; and a third site at Shuiyusi, also known as Xiao Xiangtang or “Little Xiangtang,” has one Northern Qi cave with sculptures.

Southern Xiangtangshan, sculpture fragments
  • Title Translation: 南响堂山洞穴群 , 雕塑碎片
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: The two main groups of caves are known as Northern and Southern Xiangtangshan. The Northern Group, Bei Xiangtang, is the earliest and largest in scale and has three caves begun with imperial sponsorship; the Southern Group, Nan Xiangtang, has smaller caves numbered from one to seven; and a third site at Shuiyusi, also known as Xiao Xiangtang or “Little Xiangtang,” has one Northern Qi cave with sculptures.

Southern Xiangtangshan, sculpture fragments
  • Title Translation: 南响堂山洞穴群 , 雕塑碎片
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: The two main groups of caves are known as Northern and Southern Xiangtangshan. The Northern Group, Bei Xiangtang, is the earliest and largest in scale and has three caves begun with imperial sponsorship; the Southern Group, Nan Xiangtang, has smaller caves numbered from one to seven; and a third site at Shuiyusi, also known as Xiao Xiangtang or “Little Xiangtang,” has one Northern Qi cave with sculptures.

Head of Standing Bodhisattva
  • Title Translation: 菩萨立像头部
  • Period: Northern Wei, 386–534 C.E.
  • Project: Longmen Binyang Central Cave
  • Work Description: The Binyangzhongdong Cave commissioned by emperor Xuanwu is a massive cave measuring 9 meters high, 11 meters wide, and 10 meters in depth. The head of the image is almost one meter tall, and is thought originally to have been the head for one of the standing attendant figures on the triad carved into the cave’s south wall. The clearly depicted eyes and nose combine with the gentle expression of its mouth to create a typical example of bodhisattva imagery from the late Northern Wei dynasty.

Fragment: portion of torso and right forearm
  • Title Translation: 碎片:躯干和右前臂的一部分
  • Period: Northern Wei, Tang, 386–534 C.E., 618–907 C.E.
  • Project: Sculptures in Longmen Caves

Eleven-headed Guanyin, Bodhisattva of Compassion
  • Title Translation: 十一面观世音菩萨
  • Period: Tang, 703 C.E.
  • Project: Guangzhai Temple Qibaotai Pagoda

Buddha with Two Attendants in a Niche
  • Title Translation: 如来三尊佛龛
  • Period: Tang, 704 C.E.
  • Project: Guangzhai Temple Qibaotai Pagoda

Buddha with Two Attendants in a Niche
  • Title Translation: 如来三尊佛龛
  • Period: Tang, 703 C.E.
  • Project: Guangzhai Temple Qibaotai Pagoda

The Eleven-Headed Bodhisattva Avalokiteśvara in a Niche
  • Title Translation: 十一面观音龛
  • Period: Tang, 703 C.E.
  • Project: Guangzhai Temple Qibaotai Pagoda

Buddha with Two Attendants in a Niche
  • Title Translation: 如来三尊佛龛
  • Period: Tang, 703 C.E.
  • Project: Guangzhai Temple Qibaotai Pagoda

Buddha with Two Attendants in a Niche
  • Title Translation: 如来三尊佛龛
  • Period: Tang, 703 C.E.
  • Project: Guangzhai Temple Qibaotai Pagoda