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58 Nelson-Atkins Museum of Art 56 Philadelphia Museum of Art 30 unknown 27 National Museum of Asian Art 26 Harvard Art Museums 23 Tokyo National Museum 17 Osaka City Museum of Fine Arts 16 private collection 14 Metropolitan Museum of Art 11 Museum Rietberg 9 University of Pennsylvania, Museum of Archaeology and Anthropology 8 Museum of Fine Arts, Boston 7 Cleveland Museum of Art 7 Nezu Art Museum 6 Asian Art Museum of San Francisco 6 British Museum 6 Koninklijk Instituut voor het Kunstpatrimonium 6 National Museum of China 5 Columbia University 5 Museo nazionale dā€™arte orientale 4 Cincinnati Art Museum 4 Honolulu Museum of Art 4 Rijksmuseum voor Volkenkunde 4 San Diego Museum of Art 4 Tsz Shan Monastery Buddhist Art Museum 4 Victoria and Albert Museum 3 Barnes Foundation 2 Art Institute of Chicago 2 Guimet Museum 2 Harvard Library 2 Kyushu National Museum 2 Museum fĆ¼r Ostasiatische Kunst 2 Museum of Far Eastern Antiquities 2 Nara National Museum 2 National Gallery of Victoria 2 Royal Ontario Museum 2 University of Tokyo, Museum of Art and History 1 Aurora Art Museum 1 Brooklyn Museum of Art 1 Cernuschi Museum 1 Clark Art Institute 1 Columbia University, Avery Architectural and Fine Arts Library 1 Detroit Institute of Arts 1 Idemitsu Museum of Art 1 J. J. Lally & Co. New York 1 Kosetsu Museum of Art 1 Masaki Art Museum 1 Miho Museum 1 Minneapolis Institute of Arts 1 Morgan Library & Museum 1 Museum of Oriental Ceramics, Osaka 1 Nezu Museum 1 Ohara Museum of Art 1 Palace Museum 1 Portland Art Museum 1 Rhode Island School of Design, Museum of Art 1 Rijksmuseum 1 Seattle Art Museum 1 Villa I Tatti 1 Virginia Museum of Fine Arts 1 Wadsworth Atheneum
Northern Xiangtangshan, South Cave, south wall
  • Title Translation: åŒ—å“å ‚å±±å—ę“ž , 南壁
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: The South Cave at Northern Xiangtangshan, like the Middle Cave, preserves its original stupa-form with domed roof and a porch in front. An additional small cave is carved into the dome. The main chamber is an open chamber space with images set around three walls. Each altar has a central Buddha surrounded by six standing figures including bodhisattvas, disciples and pratyekabuddhas. Smaller Buddhas appear in rows on the upper level of the cave. On the ceiling a large lotus blossom is carved in relief. The work on the cave appears to have been begun, then interrupted, and resumed later by different craftsmen. The main sculpted images show signs of having been created in two stages, with the later mode of carving evident in the group of images on the back wall. The stylistic difference is also evident in the appearance of the heads of figures taken from the cave and now located in museums and private collections outside China. In addition to its sculptural art, the South Cave is very important for its extensive engravings of Buddhist scriptures in stone. These are located inside the cave on the entrance wall, inside the porch, on the exterior wall of the porch, and extending onto the north wall of the courtyard. At the end of the sutra texts, the dedicatory stele of Tang Yong records that the engravings were carried out in the years from 568-572.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is believed to be from a standing bodhisattva on the west wall of Cave 17.

Finial Phoenix
  • Title Translation: 凤凰
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The finely carved piece is part of a phoenix that once stood on top of a column beside the entrance of Cave 8.

Bodhisattva Torso
  • Title Translation: č©čØčŗ«
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head has been reattached to the neck and chest and does not appear to fit perfectly. Therefore people have expressed doubt that they are from the same figure originally.

Buddha Seated
  • Title Translation: 坐佛
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Buddhas seated in this pose can be identified as Maitreya, the Buddha of the future. The figure is believed to be from the upper level Cave 3.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from the seated bodhisattva on the east wall of Cave 17 at the proper left side of the Maitreya Buddha.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is a seated bodhisattva figure from the north (back) wall of Cave 21 that was formerly in the Idemitsu Museum, Tokyo, and is now in the National Museum of China.

Flying Divinity
  • Title Translation: 飞天
  • Period: unknown, unknown
  • Project: Tianlongshan Caves
  • Work Description: The divinity is carved in unusually high relief and is not known to be from any existing Tianlongshan cave.

Buddha Seated
  • Title Translation: 坐佛
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: One of the finest and best-preserved sculptures from Tianlongshan, this Buddha figure was the principal image in Cave 21.

Bodhisattva Standing
  • Title Translation: ē«‹č©čØ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The small figure stands in a graceful dance-like pose and wears a royal costume with jewelry and long scarf the ends of which it holds in the hands.

Cave 1
  • Title Translation: ē¬¬äø€ēŖŸ
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.

Cave 1
  • Title Translation: ē¬¬äø€ēŖŸ
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.

Cave 1
  • Title Translation: ē¬¬äø€ēŖŸ
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.

Buddha Head
  • Title Translation: 佛夓 , 3D ęؔ型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This impressive head is from the principle image of Cave 14, the seated Maitreya Buddha on the north wall.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head is believed to be from a standing bodhisattva in the Museum of Fine Arts, Boston. Its current situation is unknown.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is known only from a 1928 sales catalog of Yamanaka and Co.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from the west wall of Cave 16.

Buddha Head
  • Title Translation: 佛夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This Buddha head is believed to be from Cave 4.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The photograph of this fine head of a bodhisattva on the west wall of Cave 14 in the early 1920s shows that it was missing the topknot and nose which have not been repaired.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The bodhisattva head is from a standing figure on the east wall of Cave 8.

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This finely carved head is from a standing bodhisattva on the west wall of Cave 14. The figure to which it belongs is in the Museum Rietberg.

Buddha Head
  • Title Translation: 佛夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from the seated Buddha on the west wall of Cave 18.

Cave 1
  • Title Translation: ē¬¬äø€ēŖŸ
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.

Cave 1
  • Title Translation: ē¬¬äø€ēŖŸ
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.

Cave 1
  • Title Translation: ē¬¬äø€ēŖŸ
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.