Showing
1 - 12 of 12 Records
Upper Guangsheng Temple, Vairocana Hall (or Pilu Temple or Tianzhongtian Temple), eaves
- Title Translation: å¹æčäøåÆŗ , ęÆå¢ę®æļ¼ęęÆå¢åÆŗę天äø天åÆŗļ¼, ęŖ
- Period: Eastern Han, Ming, 147 C.E., 1368-1644 C.E.
- Project: Guangsheng Temple Murals
- Work Description: The upper temple complex comprises the mountain gate, the Flying Rainbow Tower, the Amitabha Hall, the Great Hall, the Vairochana Hall, the Kwan-yin Hall, the Ksitigarbha Hall, as well as wing-rooms and corridors, among other features. The Mountain Gate, situated at the entrance, is flanked by two guardian warriors. Just beyond the gate stands the impressive Flying Rainbow Tower, constructed from colored glaze bricks. Originally built during the Eastern Han Dynasty (25-220) and later restored in the Ming Dynasty (1368-1644), this thirteen-story tower soars to a height of 47.31 meters, featuring an octagonal plan. The tower is adorned with tri-colored glaze in yellow, green, and blue, creating a splendid and vibrant spectacle. Elaborate wooden square blocks and intricately carved designs of Buddha, Bodhisattvas, guardian warriors, flowers, birds, and animals adorn the eaves and pillars. Corridors encircle the first story, while the towerās interior houses only the stairs leading to the tenth floor, showcasing remarkable architectural and artistic prowess.
147
1644
1644
Water God's Temple (Shuishen Temple) of the Guangsheng Monastery, Ming Ying King Hall (or Mingyingwang Temple), eave
- Title Translation: å¹æčåÆŗę°“ē„åŗ , ęåŗēę®æ, å±ęŖ
- Period: Eastern Han, Ming, 147 C.E., 1368-1644 C.E.
- Project: Guangsheng Temple Murals
- Work Description: The Water God's Temple has two yards: the front yard and the back yard, and includes the Temple Gate, the Door of Amenity, the Ming Ying King Hall and wing-rooms of cave dwellings. The Ming Ying King Hall is 5-bay wide and 5-bay long with a cloister around and a double-eaved gable hip roof. Beams inside are of common style. The hall houses statues of Water God Ming Ying King and his eleven attendants. Their facial features, clothes and gestures are all of Yuan style. Frescoes about people praying for the rain and other historical stories covered the walls, occupying an area of 197 square meters. The pictures of dramas at the eastern end of the south wall show a complete set of stage property for the performers: costumes, stage instruments, musical instruments, makeup, curtain, stage, and so on. The drawing was strictly arranged, the color was simple but profound, and dramatis personae were expressive. This fresco reflects the true condition of Yuan Drama in its peak time; it is a rare fine work of Yuan frescoes in China.
147
1644
1644
Coffered Ceiling from Zhihua Hall (Zhihuadian, Hall of Transforming Wisdom), miniature multi-story pavilion (tiangong louge)
- Title Translation: ęŗåę®æ天č±äøč»äŗ , å¾®åå¤©å®«ę„¼é
- Period: Ming, c. 1444 C.E.
- Project: Beijing Zhihua Temple
- Work Description: The Zhihua monastery is one of the great Buddhist temple compounds in the Chinese capital of Beijing. Conceived on a grand scale, the compound was built in the early 1400s by the eunuch Wang Zhen. This ceiling comes from the second of five main halls on the monastery's central axis ā the Hall of Great Wisdom.To give visitors a sense of the original context, the Museum installed the ceiling with architectural elements reconstructed from measured drawings made at the original site. In the center is a writhing imperial dragon surrounded by clouds, bracketing, and eight canted panels, each bearing a smaller dragon among clouds. Lotuses, apsaras (Buddhist flying musicians), and other Buddhist religious symbols are carved in the surrounding panels. The Chinese name for this central part of the ceiling is tianjing, or "well of heaven." While most of the original red lacquer is well preserved, much of the rich overlay of gold leaf has been lost.A series of model temples supported by cloud-decorated brackets encompass the central element; within these miniature structures are delicately carved sculptures of Buddhas and bodhisattvas. The remainder of the ceiling consists of square panels painted with stylized lotus flowers that show the influence of Tibetan Buddhism (Lamaism). Each bears a character from a North Indian script (called Lantsha by the Tibetans) that symbolically recreates the universe. The model temples and panels may have been added during repairs made in the Kangxi period (1662ā1722).
1444
Cave 1
- Title Translation: ē¬¬äøēŖ
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.
550 - 577
Cave 1
- Title Translation: ē¬¬äøēŖ
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.
550 - 577
Upper Guangsheng Temple, Vairocana Hall (or Pilu Temple or Tianzhongtian Temple), eaves
- Title Translation: å¹æčäøåÆŗ , ęÆå¢ę®æļ¼ęęÆå¢åÆŗę天äø天åÆŗļ¼, ęŖ
- Period: Eastern Han, Ming, 147 C.E., 1368-1644 C.E.
- Project: Guangsheng Temple Murals
- Work Description: The upper temple complex comprises the mountain gate, the Flying Rainbow Tower, the Amitabha Hall, the Great Hall, the Vairochana Hall, the Kwan-yin Hall, the Ksitigarbha Hall, as well as wing-rooms and corridors, among other features. The Mountain Gate, situated at the entrance, is flanked by two guardian warriors. Just beyond the gate stands the impressive Flying Rainbow Tower, constructed from colored glaze bricks. Originally built during the Eastern Han Dynasty (25-220) and later restored in the Ming Dynasty (1368-1644), this thirteen-story tower soars to a height of 47.31 meters, featuring an octagonal plan. The tower is adorned with tri-colored glaze in yellow, green, and blue, creating a splendid and vibrant spectacle. Elaborate wooden square blocks and intricately carved designs of Buddha, Bodhisattvas, guardian warriors, flowers, birds, and animals adorn the eaves and pillars. Corridors encircle the first story, while the towerās interior houses only the stairs leading to the tenth floor, showcasing remarkable architectural and artistic prowess.
147
1644
1644
Cave 1
- Title Translation: ē¬¬äøēŖ
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.
550 - 577
Cave 1
- Title Translation: ē¬¬äøēŖ
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.
550 - 577
Coffered Ceiling from Zhihua Hall (Zhihuadian, Hall of Transforming Wisdom), miniature multi-story pavilion (tiangong louge) eaves
- Title Translation: ęŗåę®æ天č±äøč»äŗ , å¾®åå¤©å®«ę„¼éå±ęŖ
- Period: Ming, c. 1444 C.E.
- Project: Beijing Zhihua Temple
- Work Description: The Zhihua monastery is one of the great Buddhist temple compounds in the Chinese capital of Beijing. Conceived on a grand scale, the compound was built in the early 1400s by the eunuch Wang Zhen. This ceiling comes from the second of five main halls on the monastery's central axis ā the Hall of Great Wisdom.To give visitors a sense of the original context, the Museum installed the ceiling with architectural elements reconstructed from measured drawings made at the original site. In the center is a writhing imperial dragon surrounded by clouds, bracketing, and eight canted panels, each bearing a smaller dragon among clouds. Lotuses, apsaras (Buddhist flying musicians), and other Buddhist religious symbols are carved in the surrounding panels. The Chinese name for this central part of the ceiling is tianjing, or "well of heaven." While most of the original red lacquer is well preserved, much of the rich overlay of gold leaf has been lost.A series of model temples supported by cloud-decorated brackets encompass the central element; within these miniature structures are delicately carved sculptures of Buddhas and bodhisattvas. The remainder of the ceiling consists of square panels painted with stylized lotus flowers that show the influence of Tibetan Buddhism (Lamaism). Each bears a character from a North Indian script (called Lantsha by the Tibetans) that symbolically recreates the universe. The model temples and panels may have been added during repairs made in the Kangxi period (1662ā1722).
1444
Upper Guangsheng Temple, Vairocana Hall (or Pilu Temple or Tianzhongtian Temple), eaves
- Title Translation: å¹æčäøåÆŗ , ęÆå¢ę®æļ¼ęęÆå¢åÆŗę天äø天åÆŗļ¼, ęŖ
- Period: Eastern Han, Ming, 147 C.E., 1368-1644 C.E.
- Project: Guangsheng Temple Murals
- Work Description: The upper temple complex comprises the mountain gate, the Flying Rainbow Tower, the Amitabha Hall, the Great Hall, the Vairochana Hall, the Kwan-yin Hall, the Ksitigarbha Hall, as well as wing-rooms and corridors, among other features. The Mountain Gate, situated at the entrance, is flanked by two guardian warriors. Just beyond the gate stands the impressive Flying Rainbow Tower, constructed from colored glaze bricks. Originally built during the Eastern Han Dynasty (25-220) and later restored in the Ming Dynasty (1368-1644), this thirteen-story tower soars to a height of 47.31 meters, featuring an octagonal plan. The tower is adorned with tri-colored glaze in yellow, green, and blue, creating a splendid and vibrant spectacle. Elaborate wooden square blocks and intricately carved designs of Buddha, Bodhisattvas, guardian warriors, flowers, birds, and animals adorn the eaves and pillars. Corridors encircle the first story, while the towerās interior houses only the stairs leading to the tenth floor, showcasing remarkable architectural and artistic prowess.
147
1644
1644
Cave 1
- Title Translation: ē¬¬äøēŖ
- Period: Northern Qi, 550-577 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.
550 - 577
Zhihua Hall (Zhihuadian, Hall of Transforming Wisdom), architecture detail sheet
- Title Translation: ęŗåę®æ , å»ŗēē»čč”Ø
- Period: Ming, c. 1444 C.E.
- Project: Beijing Zhihua Temple
- Work Description: The Zhihua Hall is a 3-bay-by-3-bay structure (18 x 14.5 meters) with a hip-and-gable roof. It initially housed a Buddha triad with the ÅÄkyamuni Buddha at the center along with eighteen Arhats. The only four interior columns form a spacious central bay before the altar for visitors to see and worship the Buddhas. Above this central area is where the grand coffered ceiling (approx. 5 x 5 meters), now in the Philadelphia Museum of Art, was initially installed.
1444