Showing  1 - 13 of 13 Records

Showing  1 - 13 of 13 Records
Figure of Wei Mo Chi from the Longmen Grottoes
  • Title Translation: 龙é—ØēŸ³ēŖŸéŸ¦čŽ«ę± åƒ
  • Period: Northern Wei, 386ā€“534 C.E.
  • Project: Longmen Binyang Central Cave
  • Work Description: The Longmen Caves are located outside the city of Luoyang, China, about 500 miles southeast of the modern-day capital in Beijing. Established in the late fifth century, the site consists of 2,345 caves, and over 100,000 individual Buddhist statues, ranging in height from a few inches to over 56 feet. For more than 250 years, Chinese Buddhists from all walks of life sponsored the addition of Buddhist statues and inscriptions to the site, most significantly from the late Northern Wei (386-534) through the Tang dynasty (618-907). Binyang Central Cave is one of the earliest at Longmen and a major monument of Chinese Buddhism. Begun around the year 501, it was commissioned by the youthful Emperor Xuanwu (483-515) and dedicated to his father, Emperor Xiaowen, who died in 499 at age thirty-three. The cave is one of the major monuments of Chinese Buddhism. MEasuring roughly 30 feet in each dimension, its principal image is 28-foot-high seated Buddha largly filling the back of the cave and accompanied by smaller standing figuresā€”disciples, Buddhas, and bodhisattvaā€”on either side. The exit wall contained some of the finest stone relief carvings of the era, including depictions of two imperial processions, and a number of stories from Buddhist scriptures. After cave-making was discontinued for nearly a thousand years, the Longmen site was "discovered" by foreign scholars in the late 1800s. The publication of their studies with photos attracted international attention to the artistic quality of the sculptures. The publications ultimately led to the looting of much of the site in the early part of the twentieth century. In response to demand from art dealers, collectors, and museums around the globe, local stonecutters removed countless works from the caves, often breaking them into numerous fragments in the process. Pieces from the greater Longmen complex can now be found scattered throughout the world. In Binyang Central Cave, several heads and large portions of the relief carvings were cut or burned out of the walls. Fragments from Binyang Central Cave now reside in museums in the US and Japan, as well as in storage at the Longmen Research Institute in China. Many shattered pieces are identifiable today with the evidence of historical photographs and rubbings taken of the reliefs before their removal.
386 - 534

Seated Maitreya
  • Title Translation: 弄勒坐像
  • Period: Northern Wei, Tang, 386ā€“534 C.E., 618ā€“907 C.E.
  • Project: Sculptures in Longmen Caves
386 - 907

Head of a Buddhist guardian (deva-king)
  • Title Translation: ä½›ę•™ęŠ¤ę³•ē„žé¦–领ļ¼ˆå¤©ēŽ‹ļ¼‰
  • Period: Tang, 618ā€“907 C.E.
  • Project: Sculptures in Longmen Caves
  • Work Description: Chinese, Later than T'ang. Head of one of the four Guardians in high relief; part of left ear and topknot missing. Color: dark gray with yellow white patina and light earth encrustations. Wooden stand.
618 - 907

Bodhisattva Avalokiteshvara (Guanyin)
  • Title Translation: 观äø–éŸ³č©čØļ¼ˆč§‚音ļ¼‰
  • Period: Tang, 618ā€“907 C.E.
  • Project: Sculptures in Longmen Caves
  • Work Description: The Bodhisattva stands with its body arched in a slight curve. The pointed headdress that appears in the high chignon is not specific enough to identify the particular Bodhisattva being represented. The torso is clothed in scarves and necklaces; a pleated dhoti falls from the waist. The Bodhisattva's right hand holds one end of a scarf against the dhoti; the left arm is raised at the elbow and the fingers of the hand are gracefully curved. There are traces of paint and pigment traces on the surface of the stone. The sculpture has been broken and subsequently repaired.
618 - 907

Head of a Buddha
  • Title Translation: 佛夓
  • Period: Northern Wei, Tang, 386ā€“534 C.E., 618ā€“907 C.E.
  • Project: Sculptures in Longmen Caves
386 - 907

Seated bodhisattva
  • Title Translation: č©čØ坐像
  • Period: Eastern Wei, ca. 530 C.E.
  • Project: Sculptures in Longmen Caves
  • Work Description: Provenance: 1903, excavated at the White Horse Monastery (Baima Si), Loyang, Henan province, China. 1913, sold by Edgar Worch (dealer; b. 1880 - d. 1972), A. Worch AntiquitĆ©s de la Chine, Paris to Denman Waldo Ross (b. 1853 - d. 1935), Cambridge, MA; 1913, gift of Denman Waldo Ross to the MFA. (Accession Date: October 2, 1913)
530

Bodhisattva Avalokiteshvara (Guanyin) Head
  • Title Translation: 观äø–éŸ³č©čØļ¼ˆč§‚音ļ¼‰å¤“
  • Period: Northern Wei, 493ā€“534 C.E.
  • Project: Sculptures in Longmen Caves
  • Work Description: Large head of Guanyin with high headdress; lower extremities of ear lobes broken, and nose and lips repaired; fragment of statue, probably in high relief. Stand.
493 - 534

Guardian Lion
  • Title Translation: å®ˆęŠ¤ē‹®
  • Period: Tang, 618ā€“907 C.E.
  • Project: Sculptures in Longmen Caves
  • Work Description: Provenance: Wanfo (Ten Thousand Buddha) Cave, Longmen Caves, Luoyang, China [see note 1]; about 1930, removed from Wanfo Cave by local stonemasons, including Wang Kui and sold, probably by Ma Longtu (antiques dealer), Luoyang, to a Beijing dealer [see note 2]. By 1931, C. T. Loo and Co., New York [see note 3]; 1940, sold by Loo to the MFA. (Accession Date: March 7, 1940) NOTES: [1] Photographed in situ in 1907 or 1908 and published by Edouard Chavannes, Mission Archeologique dans la Chine Septentrionale (Paris, 1909), no. 305, pl. CLXXXII. The companion lion is in the collection of the Nelson-Atkins Museum of Art. [2] According to Gong Dazhong, Longmen Shiku Yishu (The Art of Longmen Caves) (Beijing: Renmin Meishu Chubanshe, 2002), pp. 58-60. [3] Dealer C. T. Loo lent the lion to the Fogg Art Museum at Harvard University from December 2, 1931 until September 1935.
618 - 907

Head of Standing Bodhisattva
  • Title Translation: č©čØē«‹åƒå¤“éƒØ
  • Period: Northern Wei, 386ā€“534 C.E.
  • Project: Longmen Binyang Central Cave
  • Work Description: The Binyangzhongdong Cave commissioned by emperor Xuanwu is a massive cave measuring 9 meters high, 11 meters wide, and 10 meters in depth. The head of the image is almost one meter tall, and is thought originally to have been the head for one of the standing attendant figures on the triad carved into the caveā€™s south wall. The clearly depicted eyes and nose combine with the gentle expression of its mouth to create a typical example of bodhisattva imagery from the late Northern Wei dynasty.
386 - 534

Fragment: portion of torso and right forearm
  • Title Translation: ē¢Žē‰‡ļ¼ščŗÆå¹²å’Œå³å‰č‡‚ēš„äø€éƒØ分
  • Period: Northern Wei, Tang, 386ā€“534 C.E., 618ā€“907 C.E.
  • Project: Sculptures in Longmen Caves
386 - 907

Divine Guardian
  • Title Translation: å®ˆęŠ¤ē„ž
  • Period: Tang, 618ā€“907 C.E.
  • Project: Sculptures in Longmen Caves
  • Work Description: Provenance: From the Longmen caves, Luoyang, Henan, China. 1936, exchanged with Yamanaka and Co., New York, by the MFA. (Accession Date: February 6, 1936)
618 - 907

Buddhist figure seated in Pensive Pose
  • Title Translation: ä½›ę•™äŗŗē‰©ę²‰ę€åå§æ
  • Period: Northern Wei, 386ā€“534 C.E.
  • Project: Sculptures in Longmen Caves
  • Work Description: Provenance: The caves at Longmen, Luoyang, Henan Province, China. 1936, sold by Yamanaka and Company, New York, to the MFA. (Accession Date: October 8, 1936)
386 - 534

Hand Holding a Lotus Bud
  • Title Translation: ę‰‹ę§čŽ²čŠ±čŠ±č•¾
  • Period: Northern Wei, 386ā€“534 C.E.
  • Project: Longmen Binyang Central Cave
  • Work Description: The Longmen Caves are located outside the city of Luoyang, China, about 500 miles southeast of the modern-day capital in Beijing. Established in the late fifth century, the site consists of 2,345 caves, and over 100,000 individual Buddhist statues, ranging in height from a few inches to over 56 feet. For more than 250 years, Chinese Buddhists from all walks of life sponsored the addition of Buddhist statues and inscriptions to the site, most significantly from the late Northern Wei (386-534) through the Tang dynasty (618-907). Binyang Central Cave is one of the earliest at Longmen and a major monument of Chinese Buddhism. Begun around the year 501, it was commissioned by the youthful Emperor Xuanwu (483-515) and dedicated to his father, Emperor Xiaowen, who died in 499 at age thirty-three. The cave is one of the major monuments of Chinese Buddhism. MEasuring roughly 30 feet in each dimension, its principal image is 28-foot-high seated Buddha largly filling the back of the cave and accompanied by smaller standing figuresā€”disciples, Buddhas, and bodhisattvaā€”on either side. The exit wall contained some of the finest stone relief carvings of the era, including depictions of two imperial processions, and a number of stories from Buddhist scriptures. After cave-making was discontinued for nearly a thousand years, the Longmen site was "discovered" by foreign scholars in the late 1800s. The publication of their studies with photos attracted international attention to the artistic quality of the sculptures. The publications ultimately led to the looting of much of the site in the early part of the twentieth century. In response to demand from art dealers, collectors, and museums around the globe, local stonecutters removed countless works from the caves, often breaking them into numerous fragments in the process. Pieces from the greater Longmen complex can now be found scattered throughout the world. In Binyang Central Cave, several heads and large portions of the relief carvings were cut or burned out of the walls. Fragments from Binyang Central Cave now reside in museums in the US and Japan, as well as in storage at the Longmen Research Institute in China. Many shattered pieces are identifiable today with the evidence of historical photographs and rubbings taken of the reliefs before their removal.
386 - 534