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1 - 24 of 24 Records
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 704 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
704
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Maitreya with Two Attendants in a Niche
- Title Translation: 弄åäøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Niche of a Buddha Triad
- Title Translation: ä½äøå£é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
- Work Description: This niche belongs to a set of thirty stone reliefs from Baoqing Temple, and is one of the most representative stone carvings from the Tang dynasty (618ā907). Baoqing Temple was a temple located near the south gate of the Changāan capital during the Ming dynasty (1368ā1644). Today, the only structure that remains of the temple is a stone pagoda which held stone niches, including this one. These carvings, which were stored in the main hall of the temple, had originally been part of the Qibaotai pagoda in Guangzhai Temple, a temple in the Guangzhai district located immediately south of the Daming Palace in Changāan during the Tang dynasty. This information is found on multiple niches from the series in the form of inscriptions, alongside carvings suggesting that they were created in the early eighth century (703ā4, 724).The Guangzhai Temple was allegedly founded in 677 at the location where a Buddhist relic (cremated remains of the Buddhaās body) had been discovered. The Qibotai, on the other hand, was constructed by Empress Wu Zetian (r. 690ā705), the only empress regnant in Chinese history, who also installed a series of stone Buddhist reliefs as decoration.This series of Buddhist reliefs features two styles of composition: ones depicting a buddha triad, and ones that depict a single buddha or deity. The former type can be classified further into three depending on the pose and/or hand gesture (mudra) of the central buddha: a buddha seated with legs folded performing the bhumisparsha mudra (Jp. gÅma-in) that symbolizes the expulsion of evil, a buddha seated with legs folded performing the abhaya mudra (Jp. semui-in) that symbolizes fearlessness, and a seated buddha with feet touching the ground performing the abhaya mudra. Single-image niches typically feature the bodhisattva Ekadashamukha, the eleven-headed manifestation of Avalokiteshvara (Jp. Kannon). According to the inscriptions on the works, the triads featuring a central buddha with legs folded performing the abhaya mudra represent the buddha Amitabha, while the ones with a buddha seated with feet touching the ground performing the same mudra represented Maitreya Buddha. There are also variations in iconography among the buddhas performing the bhumisparsha mudra; some wear crowns, while others sit upon a shumi pedestal or a lotus pedestal. These may have roots in representations of the historic Buddha, Shakyamuni, that were popular in India at the time.This particular niche depicts a central buddha seated with both feet touching the ground, suggesting that it is an image of Maitreya, flanked by two attendants. At the top, a pair of heavenly beings are depicted in shallow relief to either side of a parasol that hangs above the central buddha. The rectangular space at the bottom bears inscriptions indicating that this particular work was dedicated by Yang Sixu, the duke of Guoguo (Guoguo-gong č¢å½å ¬).
703
Bodhisattva Avalokiteshvara (Guanyin) with 11 heads
- Title Translation: åäø夓č§äøé³č©čØ
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
- Work Description: High relief carving of Guanyin of Eleven Heads standing on a lotus pedestal set within a recessed niche, which is decorated with two flying celestial beings, or apsaras. In relief within a recess. Color, gray, with gray-brown patina. Limestone.
703
The Eleven-Headed Bodhisattva AvalokiteÅvara in a Niche
- Title Translation: åäøé¢č§é³é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Eleven-headed Guanyin, Bodhisattva of Compassion
- Title Translation: åäøé¢č§äøé³č©čØ
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 704 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
704
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
The Eleven-Headed Bodhisattva AvalokiteÅvara in a Niche
- Title Translation: åäøé¢č§é³é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Seated Buddha and Bodhisattvas
- Title Translation: äøä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
- Work Description: This work is one of the thirty-two existing examples from the statue group in Baoqingsi Temple, Xiāan, Shaanxi, China. It was distinctively expressed in early Tang style which absorbed the Indian influence. The middle statue was presented with hands and fingers in the position of Sokuchiāin mudra. This pose is related to the statue of ÅÄkyamuni in Budh Gaya in India where he had completed self-discipline and enlightened to the truth.
703
Buddha with Two Attendants in a Niche
- Title Translation: å¦ę„äøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Standing Eleven-headed Kannon (EkÄdaÅamukha AvalokiteÅvara)
- Title Translation: åäøé¢č§é³ (ä¾å”č¾¾čØē©å)
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
- Work Description: This image is one of the seven statues of Eleven-Headed Guanyin (JÅ«ichimen Kannon) from the statue group in Baoqinsi Temple in Chinaās present-day Xiāan, Shaanxi Province. The right hand holds a seal with the words āExtinguish Sin.ā This attribute reflects belief in AvalokiteÅvaraās capacities at expiating bad karma.
703
Fragment of Guanyin of Eleven Heads
- Title Translation: åäøé¢č§é³ę®ē
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
- Work Description: In relief, within a recess; lower part, from knees downward, missing, and minor injuries.
703
The Buddha AmitÄbha with Two Attendants in a Niche
- Title Translation: éæ弄éäøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
The Buddha AmitÄbha with Two Attendants in a Niche
- Title Translation: éæ弄éäøå°ä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703
Eleven-headed Guanyin (Ekadasamukha)
- Title Translation: åäøé¢č§é³ (ä¾å”č¾¾čØē©å)
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
- Work Description: This image is one of a group of relief-carved stone Buddhist plinths from Huatasi temple, Xian (also known as Baoqingsi). The symmetrically arranged body and the flowing drapery lines are particularly beautiful, making this an important fundamental piece in the study of Chinese early Tang period Buddhist sculpture.
703
Niche of a Buddha Triad
- Title Translation: ä½äøå£é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
- Work Description: This niche belongs to a set of thirty stone reliefs from Baoqing Temple, and is one of the most representative stone carvings from the Tang dynasty (618ā907). Baoqing Temple was a temple located near the south gate of the Changāan capital during the Ming dynasty (1368ā1644). Today, the only structure that remains of the temple is a stone pagoda which held stone niches, including this one. These carvings, which were stored in the main hall of the temple, had originally been part of the Qibaotai pagoda in Guangzhai Temple, a temple in the Guangzhai district located immediately south of the Daming Palace in Changāan during the Tang dynasty. This information is found on multiple niches from the series in the form of inscriptions, alongside carvings suggesting that they were created in the early eighth century (703ā4, 724).The Guangzhai Temple was allegedly founded in 677 at the location where a Buddhist relic (cremated remains of the Buddhaās body) had been discovered. The Qibotai, on the other hand, was constructed by Empress Wu Zetian (r. 690ā705), the only empress regnant in Chinese history, who also installed a series of stone Buddhist reliefs as decoration.This series of Buddhist reliefs features two styles of composition: ones depicting a buddha triad, and ones that depict a single buddha or deity. The former type can be classified further into three depending on the pose and/or hand gesture (mudra) of the central buddha: a buddha seated with legs folded performing the bhumisparsha mudra (Jp. gÅma-in) that symbolizes the expulsion of evil, a buddha seated with legs folded performing the abhaya mudra (Jp. semui-in) that symbolizes fearlessness, and a seated buddha with feet touching the ground performing the abhaya mudra. Single-image niches typically feature the bodhisattva Ekadashamukha, the eleven-headed manifestation of Avalokiteshvara (Jp. Kannon). According to the inscriptions on the works, the triads featuring a central buddha with legs folded performing the abhaya mudra represent the buddha Amitabha, while the ones with a buddha seated with feet touching the ground performing the same mudra represented Maitreya Buddha. There are also variations in iconography among the buddhas performing the bhumisparsha mudra; some wear crowns, while others sit upon a shumi pedestal or a lotus pedestal. These may have roots in representations of the historic Buddha, Shakyamuni, that were popular in India at the time.This particular niche depicts a central buddha seated with both feet touching the ground, suggesting that it is an image of Maitreya, flanked by two attendants. At the top, a pair of heavenly beings are depicted in shallow relief to either side of a parasol that hangs above the central buddha. The rectangular space at the bottom bears inscriptions indicating that this particular work was dedicated by Yang Sixu, the duke of Guoguo (Guoguo-gong č¢å½å ¬).
703
Qibaotai Pagoda/Baoqing Temple Buddhist Niches
- Title Translation: äøå®å°å”/å®åŗåÆŗä½é¾
- Period: Tang, 703 C.E.
- Project: Guangzhai Temple Qibaotai Pagoda
703