CENTER FOR THE ART OF EAST ASIA
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Showing  3351 - 3375 of 3450 Records

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Showing  3351 - 3375 of 3450 Records
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55 Nelson-Atkins Museum of Art 55 Philadelphia Museum of Art 30 unknown 27 National Museum of Asian Art 23 Harvard Art Museums 23 Tokyo National Museum 17 Osaka City Museum of Fine Arts 16 private collection 14 Metropolitan Museum of Art 10 Museum Rietberg 9 University of Pennsylvania, Museum of Archaeology and Anthropology 7 Cleveland Museum of Art 7 Nezu Art Museum 6 Asian Art Museum of San Francisco 6 Koninklijk Instituut voor het Kunstpatrimonium 6 Museum of Fine Arts, Boston 6 National Museum of China 5 Columbia University 4 British Museum 4 Cincinnati Art Museum 4 Honolulu Museum of Art 4 Museo nazionale dā€™arte orientale 4 Rijksmuseum voor Volkenkunde 4 San Diego Museum of Art 4 Tsz Shan Monastery Buddhist Art Museum 4 Victoria and Albert Museum 3 Barnes Foundation 2 Art Institute of Chicago 2 Guimet Museum 2 Harvard Library 2 Kyushu National Museum 2 Museum fĆ¼r Ostasiatische Kunst 2 Museum of Far Eastern Antiquities 2 Nara National Museum 2 National Gallery of Victoria 2 Royal Ontario Museum 2 University of Tokyo, Museum of Art and History 1 Aurora Art Museum 1 Brooklyn Museum of Art 1 Cernuschi Museum 1 Clark Art Institute 1 Columbia University, Avery Architectural and Fine Arts Library 1 Detroit Institute of Arts 1 Idemitsu Museum of Art 1 J. J. Lally & Co. New York 1 Kosetsu Museum of Art 1 Masaki Art Museum 1 Miho Museum 1 Minneapolis Institute of Arts 1 Morgan Library & Museum 1 Museum of Oriental Ceramics, Osaka 1 Nezu Museum 1 Ohara Museum of Art 1 Palace Museum 1 Portland Art Museum 1 Rhode Island School of Design, Museum of Art 1 Rijksmuseum 1 Seattle Art Museum 1 Villa I Tatti 1 Virginia Museum of Fine Arts 1 Wadsworth Atheneum

3450 image
Cave 10
  • Title Translation: ē¬¬åēŖŸ
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 10 is a Northern Qi cave that is just west of the colossal sculptures and wooden structure of Cave 9. It is accessible through an opening in the east wall adjacent to Cave 9. The entrance porch is now high above path in front of the cave. Still partially preserved on the west side, it has one large pillar remaining on the west side. The entrance porch has two guardian figures standing outside, one of which mostly remains. Like the other caves of the Northern Qi period at Tianlongshan, this is one of the larger caves, its interior a square chamber more than three meters on each side with figures carved on four walls. There are recessed niches on the back and side walls that contain most of the principle sculptural images. Smaller figures of musicians and lions appear along the front of the low altar.
550 - 577

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Bodhisattva head likely to be from Buddha niche on east wall of Cave 16.
618 - 907

Bodhisattva Standing
  • Title Translation: ē«‹č©čØ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The small standing bodhisattva with hands formerly held in anjali mudra is believed to be from Cave 12.
618 - 907

Bodhisattva Standing
  • Title Translation: ē«‹č©čØ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The standing bodhisattva is believed to be from the east wall, north side, Cave 18.
618 - 907

Buddha Head
  • Title Translation: 佛夓
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head is from the main Buddha image on the north wall of Cave 2.
534 - 550

Buddha Head
  • Title Translation: 佛夓
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This small head resembles Buddha heads in historic photographs of Cave 3. It is missing the usnisa at the top of the head.
534 - 550

Buddha Head
  • Title Translation: 佛夓
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The Buddha head was cut from the south side of the central pillar of Cave 8.
581 - 618

Buddha Head
  • Title Translation: 佛夓
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This finely carved head of the Buddha is from the east wall of Cave 18.
618 - 907

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from one of the standing bodhisattvas on the west wall of Cave 8.
581 - 618

Buddha Head
  • Title Translation: 佛夓
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The Buddha head is from the main image on the east wall of Cave 2.
534 - 550

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head, in a private collection, is believed to be from the niche on the north wall of Cave 16.
550 - 577

Disciple Relief
  • Title Translation: å¼Ÿå­ęµ®é›•
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The youthful disciple appears to have a pinch of incense in his right hand to place in the censer of the elderly disciple on the opposite wall of Cave 3.
534 - 550

Bodhisattva Relief
  • Title Translation: č©čØ굮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The bodhisattva is Manjusri and would have been situated in Cave 3 opposite the relief figure of Vimalakirti.
534 - 550

Bodhisattva Relief
  • Title Translation: č©čØ굮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The heavenly divinity carved in relief is holding a bowl in the gesture of offering.
534 - 550

Bodhisattva Relief
  • Title Translation: č©čØ굮雕
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The figure stands in a pose of reverence to the sculpted Buddha and bodhisattvas in the niche on the west wall of Cave 3.
534 - 550

Bodhisattva Head
  • Title Translation: č©čØ夓
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head appears to be from a bodhisattva on the west wall of Cave 1.
550 - 577

Cave 10
  • Title Translation: ē¬¬åēŖŸ
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 10 is a Northern Qi cave that is just west of the colossal sculptures and wooden structure of Cave 9. It is accessible through an opening in the east wall adjacent to Cave 9. The entrance porch is now high above path in front of the cave. Still partially preserved on the west side, it has one large pillar remaining on the west side. The entrance porch has two guardian figures standing outside, one of which mostly remains. Like the other caves of the Northern Qi period at Tianlongshan, this is one of the larger caves, its interior a square chamber more than three meters on each side with figures carved on four walls. There are recessed niches on the back and side walls that contain most of the principle sculptural images. Smaller figures of musicians and lions appear along the front of the low altar.
550 - 577

Cave 14
  • Title Translation: ē¬¬åå››ēŖŸ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 14 is a Tang cave that had finely carved sculptures, many of which are now in collections outside China
618 - 907

Cave 14
  • Title Translation: ē¬¬åå››ēŖŸ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 14 is a Tang cave that had finely carved sculptures, many of which are now in collections outside China
618 - 907

Cave 15
  • Title Translation: ē¬¬åäŗ”ēŖŸ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 15 is a small Tang dynasty cave formerly with muscular guardian figures standing at the entrance. Very few sculptural traces remain inside the cave.
618 - 907

Cave 18
  • Title Translation: ē¬¬åå…«ēŖŸ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
618 - 907

Cave 18
  • Title Translation: ē¬¬åå…«ēŖŸ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
618 - 907

Cave 18
  • Title Translation: ē¬¬åå…«ēŖŸ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
618 - 907

Cave 18
  • Title Translation: ē¬¬åå…«ēŖŸ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
618 - 907

Cave 18
  • Title Translation: ē¬¬åå…«ēŖŸ
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
618 - 907